Wednesday, October 27, 2010

The Presence of the Past

What connects people to history?
Book Review

Roy Rosenzweig and David Thelen’s The Presence of the Past arose from a multi-year study to discover how history is perceived and used by the common American. The authors refer to certain views of the past as “paradoxical” due to the dual traits history holds in the national consciousness (3). There is a common perception among many that the contemporary average citizen is largely historically illiterate. Yet, at the same time, interests in public history, heritage tourism, media, and popular culture are growing. To better comprehend this phenomenon, the authors set out to understand such patterns via telephone interviews with over one thousand everyday citizens. Through these phone questionnaires, they made it plainly evident that people take the past personally. They learn of, visualize, and appreciate it best when conveyed to them by a loved one or friend. For such interviewees, the past was relevant, central, and vital to the family social sphere – a staple of their very being. Their pasts were far from dead.

The investigators discovered further detail regarding these facts and elaborated on their circumstances throughout. Of the 1,453 interviewed, the vast majority where able to connect with the past due to familial or even individual experiences (12). It is with this past which many feel most comfortable. Because this history is told often in the first-person, it is a past much easier to connect with and interpret. Many of these same individuals use the past as a blueprint to their own futures. Narratives such as these are considered most important not only in determining where we have been but where we are collectively going as a society.


While the seeming majority feel closest to the past when connecting with a person who witnessed or survived the actual events, they also trust (or distrust) a variety of other source materials available to them. The interviewees considered museums especially factual and unbiased in presenting the past. Artifacts displayed in such exhibits particularly seemed to reveal human traits of previous times effectively well. Personal accounts of historic events (including those offered by family) in addition to the knowledge displayed by college history professors, also received high marks in the credibility ratings. That said, high school history teachers received less support for a variety of reasons. Predominantly, those questioned defined their former classes as dull, irrelevant, and repetitive due to the fact that they did nothing more than memorize glorified national history and were forced to regurgitate numb facts and key dates. Often, there is no engagement or contextualization in such environments. Such patterns have been a recurring problem in the classroom. Furthermore, despite the long-standing belief that many learn their small traces of historical knowledge from movies, the larger portion of those interviewed displayed their mistrust in history portrayed by Hollywood. Like other special interests, they claimed, film producers too have an agenda in how the past is depicted on the big or small screens.


As Rosenzweig, Thelen, and their colleagues discovered, those surveyed did not altogether reject key tenets of America’s collective past but only certain aspects which reinforced the greatness or predominance of nation-centered stories (Consensus History). Rather than fall prey to old-school interpretations, citizens construct their own interpretations of the past through personalization and the use of cultural identity as a bridge to both the past and future. This is especially true of the African Americans and Native Americans who were interviewed. With these minorities, there is a recurring pattern of mistrusting authority, traditional historical views, and closely embracing what many of them referred to as “our” history or culture. In addition, such ethnic groups might claim an even greater historical (or spiritual) bond to sites of strong symbolic and historic significance to their respective cultures. While many white tourists visit historical attractions leisurely or serendipitously, blacks and natives embark on intentional pilgrimages to places of heritage importance. This may be the case because those sites not only depict oppression, racism, and pain, but also the subsequent triumphs over those obstacles as well as symbols and hopes for the future.


The subjects studied throughout this survey are feasibly as well-rounded as possible. Composed of numerous racial, economical, and geographical sects of society, the historians supervising this project gathered data somewhat segregated but yet as all-inclusive as was humanly attainable. Through these vivid scores of pervasive and often emotional accounts, the authors reveal that history truly is most frequently felt and conveyed successfully not through textbooks or nonfiction, but through deeply personal connections to places, items, and people closest to them.

Wednesday, October 13, 2010

WWII Weekend

At Eisenhower National Historic Site

The National Park Service at Gettysburg once again hosted its annual World War II Weekend on the grounds of President Dwight Eisenhower's farmstead. Approximately 300 WWII reenactors portraying various nationalities and backgrounds encamped on Ike's backyard. These included Americans (mostly) but also Germans, Poles, Brits, Russians, and Australians. Perhaps most significantly, dozens of WWII veterans joined us throughout the day, many of whom gave lectures and war reminiscences to eager-to-listen audiences.

Included in this historical extravaganza was my unit - the First Allied Airborne - a squad-sized unit with both British and American Airborne troops established prior to Operation Market Garden which served throughout the war. The photo at right is me in my Airborne uniform. This picture is courtesy of Bill Dowling Photography of Gettysburg. Below are just a few photos from the memorable weekend.


Pictured above are a few members of our unit as well as a few "allies." This photo, of course, is doctored to look original, but man, doesn't it look good? Pictured left to right in front: Neil Hobbins, Dan Comes, Chuck Lynch (our CO), and me. Second row: Duane Siskey, Chris Nagel, Floyd Nellett, and Eric Sral.

We spoke to hundreds of visitors each day. We discussed the daily life of the GI, his weaponry, and the war at large.

I portrayed a Stars and Stripes correspondent artist doing Bill Mauldin style cartoons and comics of American GIs. Through his cartoons, soldiers were often able to vent their daily frustrations through laughter rather than grief. In his memory, I draw away. Some of these cartoons will be shown here in the near future.

College buddy Justin Shope takes a break sitting on a military food case, toting a Tommy Gun.

Of course, there were dozens of other tents and exhibits. The scene above depicts part of a much larger field hospital display. Reminds you a little bit of M*A*S*H* huh?

Determining the weather was a vital factor in deciding when the Normandy invasion was to take place. Originally scheduled for June 5, 1944, the massive assault was pushed back a day for a break in the dismal Channel weather. Group Captain James Martin Stagg of the British RAF was the chief meteorologist for the allies and helped determine the date.

Since I was portraying a reporter, I found the War Correspondents' tent to be particularly intriguing. Talk about a lot of vintage typewriters, cameras, and notepads...

As you can see, there was no shortage of jeeps, trucks, and half tracks in the event's motor pool.

Another interesting exhibit was that of the Monuments Fine Art tent. Beginning in the early 1930s, Hitler's Reich stole thousands of pieces of valuable artwork including those of Rembrandt, Da Vinci, and scores of others. In the final days of the war, Allied soldiers known as "the Monuments Men" scavenged the German countryside to recover these lost treasures. Most were found and returned to their respective owners - if they were still alive.

A restored U.S. half track.

Some Royal Air Force Pilots enjoying their tea of course!

That Sunday included a religious service with a jeep hood as the altar, much like original field services during the war.

Our guys...Does this photo look familiar?